after the last collaboration which saw them go out successfully on desolat, the label loco dice, finally and after so much hard work they have completed their first album on beatwax records and have entitled it *a young long trip*. aldo cadiz & ricky erre love have now been collaborating for two years sharing their ideas, dreams and experiences. they are trying to get something positive across through a unique audio experience that evolves over time. although their stories are different, they are interwoven in an artistic partnership, made homogeneous and uniform through the use of hypnotic grooves that are deep and overwhelming, and always enriched by delicate and loving melodies that have made this project become a reality. we are expecting an album that is intimate, engaging and full of surprises. from chile to italy a long young trip continues!

airplay from steve barker (the wire) on bbc radio and support from tomas rubeck (eshu) among others. kicking off the new fifth interval label, san francisco based dub techno producer federsen heads up the premier release. the title track is a hazy dub techno trip filled with washes of tape delayed chords and crisp snares while the b1 track - 50hz is a far more broken affair, 140 bpm gear comparable to the likes of deadbeat and strategy. for the final track, isodyne (one half of forward strategy group) shakes up 50 hz, slowing it down to an incredibly weighty 115 bpm, finalising an excellent release with something for discerning djs of all tastes.

after a storied recording career that has so far taken in albums for further, mathematics and danyy wolfers strange life label, spanish artist vagon brei added label boss to his cv earlier this year with launch of mystic & quantum. record labels come and go but few arrive driven a real specific concept in a way that mystic & quantum are with each album length release conceived to show stories of adventures, magic, science. having launched in auspicious fashion with albums from dmx krew and san laurentino, vagon brei helms the third release with a nine track set entitled the secret of swamp castle. seemingly taking influence from giallo horror, brei s album comes across as a compelling collection of synth explorations that will have you returning again and again in order to uncover the swamp castles secrets. limited edition of 180 copies on pink vinyl with special artwork, first 75 copies include a fridge magnet.

3 weirdo ones on the cult of properness. propers cult, the label launched by amsterdam s san proper, present their second release, the debut of a jazz-fusion drummer who goes by the name of d., hailing from katwijk (nl). three deep and mesmerizing house workouts veering into techno territories, with an acid glitch to them. yes, they come with a lot of question marks and exclamation points

after his big success with waehlscheibe 003, p. laoss returns on the swiss label with another dub house masterpiece. the german producer has once more switched on his reverb and delay gear and created a wonderful record full of fluffy chords, gentle pads and heavy basses. >rephrasing dub<, >i dont care< and >never though< all display the mans musical mastery in terms of harmony, variety and dramatic expression. in his remix of >i dont care<, federsen from san francisco has taken the crispy deep original and turned it into a broken beat stunner brimming with dubby crackles, noises and delays – all created with his analogue machines. as always all tracks have been mastered by above smoke at the hole of dub studio.

originally released in 92 always gets the remix treatment from route 94 / shiba san / weiss / mk s area 10 mix. full picture sleeve

san fran synth sensei ben winans aka roche ventures further into his arcane hardware labyrinths on stillhope, his second slab of mind-wired pacific house for 100% silk. as always with his work there is a great sense of spaciousness and flow, coastal fog billowing around alcatraz and over lands end, invisible currents taking control.

good old aunt frieda likes it colorful, that’s pretty known in all parts of the world since the birth of frieda musik. and even our new children of the family are the same kind of colorful: frivolous is painting in all different colors without wasting any paint. his two originals are pushing with forward-thinking rhythms without forgetting how to get his audience into dreaming through his golden voice and his playful melodies. a very special schmankerl is his lullaby. a little more precise and determined comes dirty doering and sascha cawa’s upside down remix of “for the message” within this package. and not to forget there’s a digital bonus by our boys san marco & don ramon, who tell us: don’t stop mumble, if you wanna get this kind of (zurich)-groove. in our opinion: a perfect ep for endless summer nights.

emotional especial call time on their first series of releases and do so in style, taking a detour to san francisco for a 12- that features reworks of latter-day synth experimentalists inhalt. the specific focus here is occupations, last years ep for the killer dark entries label which showed a distinct progression in the inhalt sound to capture a contemporary take on synth wave/cold wave/dark wave (delete as appropriate

fresh from impressing with the pulsating techno of boris werner and the fuzzy live house jams of san proper, tom tragos voyage direct label turns to a man who needs little introduction: dutch legend and man of many pseudonyms danny wolfers.
best known under his legowelt alias, wolfers has spent the last two decades flitting between strobe light acid house, 808 electro, fluorescent techno and shimmering space disco. throughout, he has kept his productions pleasingly analogue-heavy, making great use of classic drum machines and vintage synthesizers. while his music may be steeped in the past, wolfers productions always sound like the future.

southern california producer jeffrey brodskys *i ll be strong* is the latest ep to appear on san francisco based label public release. its comprised of four tracks, with brodskys original joined by three wide ranging remixes, which complement its energetic feeling with deeper material aimed at late nights and early mornings.

black frames is a creation from two major life transitions for dave aju, namely the end of a long-term relationship combined with a move away from his home town of san francisco. punctuated with philosophical statements and political punches, the former mc proves he isnt afraid to use his voice and production skills to unite music and passion with his latest album on circus company.

the debut album by redredred, a contemporary artist from san francisco. michael wood, formerly of duo primary colors, began this project in 2012, taking inspiration from front 242, einsturzende neubauten, throbbing gristle, nietzsche and sartre. wood utilizes a simple setup of vintage analog synthesizers and drum machines, and records them on reel-to-reel

reiterate bounds back in the room w/a 2nd iteration, this time w/edits by jtc, dj qu & a rmx by new york’s steve-oh. strictly dancefloor reworks of dinosaur, rafael villafane, bee gees, & liaisons dangereuses.

alland byallo and kenneth scott met in san francisco around nine years ago. since then they have collaborated on countless projects and events, leading up to scotts official partnership in the bad animal label. scott delivers his debut on ba in fine form, offering three original tracks that are perfect examples of his unique take on house music.

fasten musique is very proud to announce this extremely talented german female artist ana for its fifth establishment. after spending the last years in the studio, she signed her first release. ana is a dj/producer based in munich germany and is well known as dj in harry klein club since 2006 as well es co-foundeer harry klein records with julietta in 2010

luckily there werent any of the anticipated refund claims for the first two chapters of >if this is house i want my money back<. so we finally dared to compile number three. the concept of the compilation is pretty simple: we ask friends, pv regulars, and other good looking producers, who are famous for dancing around the edges of the genre, for an exclusive track, all of which we put together on one neat compact disc. this time the bill reaches from hot shot producer mano le tough (who celebrated his permanent vacation debut on vol. 2 of this series), maeve label buddy the drifter, the swedish house mafia in form of house dandy axel boman and edit ramajam hnny, rising star lake people, long time vacationer bostro pesopeo (together with local munich dj san quentin) and sizzling newcomer boska to the jack of all trades willie burns, fellow nyc resident octo octa, berlin-based melody masters kim brown, the neukölln acid kingpins achterbahn d’ amour (aka iron curtis & edit piafra) as well as hotflush and we play house regular locked groove. each and everyone of the participants are more than convincing in what they are doing and although they have different perspectives on the long runner house music, the tracks come together in sweet harmony on this compilation

4 track release with 3 originals that touch on deep house, italo disco & cosmic sounds while san franscio house-sleaze afficionado anthony mansfields remix provides a dubby dose of dance floor funk.

what does radiation sound like? what do the effects of radiation sound like? what happens when a musician with why sheep?s imagination and skill tries to answer these questions? 11 march is the 3rd anniversary of the tsunami that hit the pacific coast of japan and set in motion the disaster at the fukushima nuclear plant. 31th march sees the release of why sheep? s radiation ep. radiation 1 and 2 with remixes by kare san sui surrounding, another why sheep? moniker.

talk about saving the best until last. if you thought that the first two parts of awanto 3s opel mantra trilogy were good, just wait until you hear part 3. it delivers a brilliantly breathless conclusion to what could well be one of the strongest debut albums of 2014. by now, you should know the script. amsterdam producer steven van hulle has previously shown glimpses of his musical talents, either with sporadic solo productions (see his superb 2010 debut on rush hour, for five), or alongside friends from the dutch scene (san proper, young marco and tom trago, in particular). opel mantra, a debut album split across three 12 inch singles (a cd version will follow later in the year), is his big reveal – our first chance to wallow in his unique and thrilling fusions of deep house, detroit techno and a multitude of vivid global influences.

abstract darkness from san fran based duo, red light. cold and dark heavyness... limited to 250 copies on 7 inch vinyl.

first they had a feather fight. then they did whats known in the industry as the gettup and proceeded to tear a hole into 2013. now san fran / bristols finest dynamic duo return with two more beastly jams.

2014 is the 10th anniversary of the san francisco based producers 40 thieves releasing their first ep and now they come through with their debut album *the sky is yours* for leng records. it will be released on two separate gatefold double lps each containing 10 tracks.

2014 is the 10th anniversary of the san francisco based producers 40 thieves releasing their first ep and now they come through with their debut album *the sky is yours* for leng records. it will be released on two separate gatefold double lps each containing 10 tracks.

san francisco threepiece live band pillowtalk are surprising dance music treasures. manipulating pop melodies, classic r&b, soul and boogie into the loose rhythms of house music and performing live on stages in nightclub settings across the world, they have bridged an impossible gulf between worlds and created new expectations for electronic producers and live musicians alike.

for its inaugural release, spring theory has tapped san francisco producer avalon emerson for a three-track ep. its called church of somawhich, before you get any funny ideas about huxlean wonder drugs, is actually a reference to san franciscos industrial south of market district, which has been an epicenter for dance music since time immemorial. the record pays homage to her long nights spent dancing and djing in one particularly loved soma warehouse.

ponsactrilau, the new label of rico puestel is setting in, coming strong and distinct! after highly acclaimed releases on pimprinella or san franciscos very own mothership, rico puestel strengthens his musical vision of deep and storytelling electronic compositions, wandering through the realms of house - represented by the two originals roja drifts by (a relentlessly inspiring and vast scenery, based on one mighty orchestral foundation) and south serpentines (a cheerful and synth-frisky journey). accompanied by timo jahns, living out his very own and unique way of a strong rhythmical presence combined with gently floating atmospheres in his interpretation of roja drifts by. sheer bliss!

somewhere along the line the true spirit of the ku was lost in a sea of buddha bar pish and the anaemic meanderings of anyone with a nine bar and a spanish guitar. thankfully, nado uncork their bottle of vintage san rafael dust and sprinkle it liberally over their seventh release to put the sun and fun back into the balearic discotheque. and who better to call upon for authentic 80s oddities than the irrepressible brenda ray, who has plunged into the naffi hq archive and plucked out four vivacious (& previously unreleased) gems, wholly deserving the full light of day.

after the introductory acid dose of delft 00x, label founder la-4as levelled ep, delft introduces the second of its repertory players, matrixxman. delft 001 delivers more tough dancefloor-focused machine music, crafted by the san francisco producer who already made a splash in 2013 with the killer techno cut protocol.

official re-edtion of dj ra-soul * true science* classic was on leaf (san francisco - 1998

proibito return with a 12inch from san fransiscos austin cesear, the first since his debut lp on the esteemed public information.

the space lady began her odyssey on the streets of san francisco in the late 70s, playing versions of contemporary pop music an accordion and dressed flamboyantly, transmitting messages of peace and harmony. following the theft of her accordion, the space lady invested in a then-new casio keyboard, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its lead exponents ever since, with the likes of john maus, erol alkan and kutmah being devotees.

san franciscos icee hot crew is getting ready to celebrate four years of existence, and part of that effort includes a new release, the debut 12inch from san francisco producer avalon emerson.

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

nummeriertes 10 inch vinyl, limitiert auf 500 exemplare - die komplett akustische version des lysandre-albums.
der sänger und songwriter aus san francisco startet nun seine solokarriere mit einem sensationellen album, das in jeder hinsicht als meisterwerk gelten kann. das album erzählt die geschichte einer liebesaffäre zwischen dem sänger und einer französin namens lysandre, die er während der ersten girls europatour im sommer 2008 auf einem festival in frankreich kennen lernte. perfekt eingerahmt von aufwendigen arrangements, traumhaften backing-vocals und einer perfekten produktion, steht vor allem das außergewöhnlich persönliche, berührende songwriting von owens im vordergrund. owens selbst beschreibt das album als a *coming of age story, a road trip story, a love story*.

in the long line of belgian talent finding a home on wph (think san soda, lemakuhlar, metrobox, locked groove, …) we are pretty sure that kiani & his legion (aka thomas neyens) will claim his rightful place within a couple releases. because just like the other family members kiani has his very own distinct sound. totally kiani and also totally wph. kiani & his legion should have already caught your attention with his free *records & culture* vinyl in wphs v.i.p. series and he was also responsible for *legions of the east* on the recent wph summer special 2013. being a vinyl lover himself it seemed fitting that we release his full e.p. debut on vinyl only (grey coloured & marbled), containing four tracks that will show you the full spectrum of his house music universe. the key words in that universe are melody, breakdowns, surprise and emotion. it is pointless to describe the tracks one by one, simply listen, enjoy and most of all…dance!

ensemble is dedicated to togetherness and deep, timeless music. first release by none less then xosar plus a remix by xan xosa aka san soda.

a strong, dark-tinged techno ep from labels owner ascion. starts with the mesmerizing sci-fi techno of the cybernetic drama culminates with xatatonic state, an oldschool fashioned hymn. evocative idm melodies of inhibitor, approaching to the powerful and sinister bells of san gennaro.

dj stingray drops one of his most intense electro bangers to date, >assassin< no holds barred minimal, industrial-tinted and ghetto-ready electro for the dance floor! on the flip vin sols san fran >homo-house< anthem >edges of a vortex< gets a vinyl pressing after setting the underground on fire, having since been picked up by defected records and reworks of sade and soowavey 12s selling out in minutes.. dont sleep on dis shit!

every moment in life has its own and special soundtrack. eclectic and in its usual frieda attitude the >moments like this ep< captures these snap-shots, transforming them perfectly into sound. the three original tracks, composed by ordinary subject, sweeten the party horizon with the right groove. >moments like this< develops an unbelievable drive and with the piano play from sacha ketterlin reaches an incredible deepness. one gets totally into the unrestrained celebration mood with >a jimmy<, which rocks with guitar riffs from 50-51. on the other hand, the >cansons charmed mix< on the >moments like this< invites you to dream. while most dreams take place in black and white, canson in his typical style, draws in the richest of colors, sending our souls into a foreign world. before he smoothly sets us back into our world, he manages to make us glide on a slow trip in which the pictures start to reveal that our aspirations seem almost tangible. last but not least, the >a jimi< is remixed by the label chiefs don ramon and san marco. their >spaghetti house mix< transforms the irrepressible rocker into a bluesy ride into the sunrise.

the seventh record released by the miteinander musik imprint extends summer for another couple of turns – the birds tweet and the waterfall splashes on mm007. trinidad, three swiss guys with an affinity for instruments and beats, deliver two melodious house tracks: >l oiseau< and >cascades<. two masters of their trade, stefano ritteri and yooj, take care of the remixes. italian expat ritteri, who runs his congaloid label out of london and who without a doubt counts to the ever-growing circle of friends of the miteinander musik family, lends >l oiseau< more tempo and swing. yooj, who found his way from his native san francisco all the way to the turntables of respected outlets such as berlins watergate, reinterprets >cascades< as a garage-influenced tune.

the kicks started as a collective of different musicians, electronic & instrumentalists, that gathered together under one roof just for the fun of it, coming together and jamming at their own expense. a jam is a jam. theres no aim, no target. it is free from expectations and just like that the tapes piled up with no specific style or genre lines. whatever happens, happens is pretty much the attitude that created a label, not out of necessity but out of convenience of being free to release the more outstanding cuts recorded, regardless of their personal definition. the first release is from the curators and creators of the project, maayan nidam & alex picone. the record starts with the psychedelic tone of alice in the desert, continues to a still hypnotic yet down to earth 020 and ends with the stabbing butt shaker think about it. the next releases will continue featuring picone & nidam, joined by cool cats like aquarius heaven, san proper & cesar merveille.

after the pre-take before the summer, wph brings you take 1 in its tribute to the biggest belgian electronic music heritage…new beat! four new killer cuts by a 100% wph family line up, also welcoming long-time friend aril brikha to the family.... this is part 2 of a 4 part vinyl set

after the last collaboration which saw them go out successfully on desolat, the label loco dice, finally and after so much hard work they have completed their first album on beatwax records and have entitled it a young long trip.

deluxe pack incl a beatwax sticker pack and the cd album (with 3 exclusive bonus tracks)! plux dj mix cd

remixes by fred p reshape, moomin, lauer, acid louis mix, orson wells!supported by, jacques renault, axel boman, roberto rodriguez, julietta, iron curtis, langenberg, ooft!, show b, san soda, tim sweeney, ian pooley, jimpster, permanent vacation, gerd, janson

ever the shape -shifters and genre-benders, on their newest ep lullaby san-francisco dance darlings pillowtalk move away from their innovative brand of housified soul and look toward the misty terrain of lush, 80s-inspired synth-pop. turn down the collars on your izods, switch on your walkman, and drift into that delicious space between waking and sleeping, love and loss, making out and making up.

2013 marks the introduction of a new imprint in music: touch of class records. the labels founders, pillowtalk member michael tello along side ray zuniga, pay homage to their fathers business continuing the family name and artistic principle. originally from los angeles, the label mates migrated north, to san francisco. toc records puts a new west coast label on the map aspiring to exhibit the distinctive deep-house, indie dance and raw-techno textures that embody both hometowns.

when san franciscos icee hot launched its own record label last fall with a new record from ghosts on tape (one of the partys founders), there was a lot of talk about how quiet hes been in recent years. now, a mere nine months later, thats all changed